It was decided in the pre-production phase that the film would be shot in 8k, to maximise the impact of the landscape shots. As much of the film is about the car itself, it was key to have equipment that allowed us to capture the moving vehicle in a number of scenarios. SubMotion house an array of equipment perfect for such scenarios and their tracking vehicle, cable camera system and cinematic camera setups were the sole production source behind the production of Sylvia. Along with their trusted crew of talented professionals, SubMotion pulled all the stops out to produce this beautifully cinematic and technically sophisticated film.